Film can be found at: http://youtu.be/40FPBFvIfFY
In my eight
years at Lehi High School, I have seen so much change. I struggle each year as a group of students
with whom I have become incredibly close transitions and moves on to their next
journey. I believe that high school
students are intelligent beings that can add much to our understanding of the
world through their simplicity (their belief in dreams and possibilities) and
their complexity (specifically in their understanding of human emotions and
depth of feeling).
Often, high
school students feel like they aren’t heard.
It is my belief and mini-attempt through this short film, to help them
feel empowered to take ownership of their own journey. Throughout the filming and editing of this
piece, it became clear that this project was an opportunity for me to really
listen, to reverse the roles and have the teacher be taught by the life
experiences of the students. Utilizing
principally the participatory mode, I gathered and facilitated both private and
public interviews. These students, for
the most part, are very comfortable talking to me and having a camera in their
face. They trust that I will represent
them well, and I hope that I have.
I took a portion
of my inspiration for this project from Chronicles
of a Summer and the Up Documentary
Series. I am fascinated by the idea
of letting people tell their own stories.
Though at first they may need some help, perhaps a question or two to
get them going and the necessity of trusting the filmmaker, indeed something
powerful can happen when a group of people is given a voice and a task.
One fundamental
of the documentary idea is the chance to give a voice to those who are not
often questioned or listened to. I
turned on the camera and I just listened and let them talk. By the end of the project, I had hours of
footage, more than I could ever hope to use in a short film. But I found, as I centered on what it is like
for these students to really live and experience high school and their assumptions,
dreams, and fears about leaving and encountering the world ahead of them, that
I needed to give the audience an essence of who these students are as I have
been fortunate to see them. I needed to
add the pictures highlighting a bit of their senior year; to let some of their
poignant and important moments express themselves in free form and let their
voices supplement the story they are creating.
I concluded that perhaps this listening would make me a better teacher.
My students
expressed how difficult it was for them to be in this space of limbo, the
pre-adult and post-adolescent phase, where the expectations placed upon them
don’t match and they are left in a space of ambiguity. Where they are told to (quoting one student)
“choose a career, but save their hall passes so they can go to the
bathroom.” I found, in interviewing them,
that their life experiences up to this point shaped their vision of the
future. While it is tempting for me, at
times, to interject and say that their expectations are impractical; is that
really my judgment to make? One of the
lessons reinforced from my students during this project was that everyone is a
unique individual with their own journey to forge.
These kids are
speaking for themselves as individuals, but upon reflection, after watching the
initial film, they spoke as a group. It
was very much a “we talk about us to you” approach. While attempting to still give them autonomy
and their own voice, as the filmmaker and their former teacher, I still chose
what clips to feature and how the voices were arranged. My voice is heard in the piece, but I tried
to compose it in such a way that I didn’t make judgments on what my students
felt or said. Learning from the director
of the Up Documentary Series, Michael
Apted, who stated: “I've made mistakes on it and had to correct those mistakes.
You know, particularly I got into a situation, I think, early on where I became
judgmental about people — that if they didn't agree with my standards of
success, failure, happiness, whatever, then I would feel they were the lesser
for it….And I think what I've learned all the way through is the less I do, the
better." (1) It would be easy for me to state that some of
their dreams aren’t realistic, or sink into my teacher mode and attempt to try
to steer them in the direction that I want them to go with their lives. But the ethical dilemma of “what to do with
people” prohibits such an action.
Instead it informs my understanding of how I can interact with these
students and encourage thought and reflection.
I feel like this film was high
collaborative. I gave the students the
opportunity to choose what questions they wanted to answer, to watch their
responses and amend as they wished. I
sought their thoughts on what the piece should be about. The innovation of digital technology allowed
for this process to be succinct and collaborative. Filming initially with my iPad, I was able to
show them their footage immediately. Granted,
the camera was essential in facilitating the conversation, but the students
were comfortable with talking to me while the camera was present. While I wish, in some ways, that I could have
asked more probing and deeper questions, it was more important for me with
these relatively young people, who trusted me, to respect their
boundaries. There were a few things
initially shared that the students didn’t want published on YouTube, so those
didn’t make it into the final cut.
For me, this
film was a tribute to a group of students who have supported me through this
very difficult year. The social actors
involved are a part of my life. I think
some aspects of the film function within the realm of a personal portrait. We are able to view some private as well as
public moments. Snapshots reveal
charismatic youth that are about to encounter the real world. But there really is no solution offered for the
problems they have faced or will soon encounter. They mention their frustrations and fears,
but also add in their realization that sometimes, you just have to go out and
do. You have to actively live. These social actors surmise that success
comes after you have come out of something hard and tackle whatever was thrown
at you. It is the metamorphosis, the
changing itself, that allows for possible growth, living, and leaving for the
next phase.
1. (http://www.npr.org/2013/07/26/205760044/michael-apted-aging-with-the-7-up-crew)
1. (http://www.npr.org/2013/07/26/205760044/michael-apted-aging-with-the-7-up-crew)
Good work. What modes were you drawing from?
ReplyDelete